Walking at Sunset

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After a wonderful but hectic Thanksgiving, Mary Lee and I spent a weekend on retreat at the Episcopal monastery of Society of Saint John the Evangelist in Cambridge, Massachusetts, a place we’ve been coming to for twenty-five years in search of silence and slow time. On Saturday afternoon, because the sun sets in this part of the world around 4:00 p.m., I decided to catch the last daylight and take a walk before Evening Prayer.

As I left the monastery, the sun was buttering tiers of purple clouds over the Boston skyline. I jay-walked across Memorial Drive, turned right, and joined the joggers, walkers, and cyclists on the path along the Charles River—a mix of races I don’t see in Maine, some talking into microphones and headsets, others conversing with one another, possibly in Chinese.

After about a quarter of a mile, I passed the Riverside Boat Club. I turned left to cross the Eliot Bridge, pulling up the collar of my coat against a raw wind coming down the river. The late afternoon sun and clouds reflected in the rippling waters of the Charles, the lengthening shadows of the sycamores, and the dank, November wind all churned up memories of another wind coming down another river thirty years earlier. I saw myself walking back from the Eastern Maine Medical Center to the Ronald McDonald House after spending the day watching my eighteen-year-old daughter die a little more from the cancer ravaging her body. I recalled the Christmas tree sellers in their vans and pick-up trucks in Cascade Park at the bottom of the hill across from the Penobscot River and how Christmas seemed at the time like some horrible joke played on the human race by a sadistic god promising peace on earth, good will to all, and then inflicting more war, poverty, disease, and death on us suffering buggers.

Now, however, I realized as I turned left after the bridge and started walking along Storrow Drive, that although I could still vividly picture details from my walk back from the hospital—the seagulls circling over the river, the mansard roofs on the houses—I could no longer feel the anger, confusion, and shame that once consumed me. Thanks to prayer and meditation and spiritual direction—much of which happened at the SSJE monastery—I’ve had joy as well as pain since Laurie’s death. Last summer I had heart surgery which has given me renewed hope that I may be around to watch my grandchildren grow up.

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The sun dropped, gilding the tops of buildings on my right. The clouds became red and gray. Just outside a patch of skim ice near the shore of the river, a dozen geese floated tranquilly, while on the other side of me, rush hour traffic hurdled by. Horns honked.

The geese reminded me of my father-in-law, George, who used to urge his employees to work like ducks on the water: calm and serene on the surface, paddling like hell underneath. He was the one who introduced me to this walk around the Charles; he made it almost every day. One of the most gracious men I’ve ever known, he and his wife Elaine retired to Cambridge to an apartment just three doors down from the monastery, which made it that much easier for Mary Lee and me to become part of the SSJE community.

Hearing the whooshing traffic, I recalled that George used to carry a plastic bag with him when he walked here, collecting what he called “street glass,” bits of broken head and tail lights from the innumerable accidents caused by Massachusetts drivers along Memorial and Storrow Drives. By the time Elaine died and George left 985 Memorial Drive for a retirement community in Lexington, he’d collected enough colored glass and plastic to fill I don’t know how many glass jars, which reposed on bookcases and windowsills all over the apartment.

Looking across the river back at Memorial Drive, I imagined Elaine, standing in front of her window, holding her glass of gin, watching the sunset behind me before heading back to the kitchen to finish preparing another of her gourmet dinners. She used to rate sunsets; I thought she might give this one a “7” or an “8.” So I made it a “7.5.”

When she died, her service was held in the monastery, and I remembered the Brothers’ chanting, and the reception back at the apartment, monks mingling with the family of academics, doctors, and journalists I married into. When George remarried, four years later, it was in the monastery, as was his funeral ten years after that.

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The SSJE Monastery from across the Charles River

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Crossing the Weeks Foot Bridge in front of Harvard’s Leverett and Dunster Houses, I realized what an important part the monastery and the Brothers have played in my life for the last twenty-five years. I walked back Memorial Drive, past Winthrop and Eliot Houses, through John F. Kennedy Park, recalling my spiritual directors who guided me along the rocky road of grief—showed me that I couldn’t keep thinking of Laurie as some photograph in an old album, that if I actually believed in this thing called resurrection,  I needed to father an ongoing relationship with her, think of her as being somehow present, here and now.  And indeed, the first time after her death when I felt her touch was as I sat at a desk in one of the guest rooms of the monastery.

I thought about how my retreats and pilgrimages intertwine, like the design on the Celtic cross tattooed on my forearm. Yes, I go to the monastery on retreat to withdraw from what Jesus and St. Paul call “the world,” but I’m also making a pilgrimage to answer a call, draw near the sacred, find a source of healing, and pay homage to those I think of as the saints in my life: Laurie, George, Elaine, the Brothers who have died, like Brother Eldridge, who helped me see that like the Father in the Parable of the Prodigal Son, I can wait in continual hope for my child, sending out my love in the confidence that she’ll receive it, or Brother John, my first spiritual director, who told me, “No, I can’t help you cut down on your drinking, but if you decide you want to quit, I’ll do everything I can to help you.” Or those Brothers who continue to buoy me, like Brother Curtis, the first monk I ever talked to here, and Brother James, whom I’ve watched lose hair, put on thirty pounds, and become Brother Superior at SSJE.

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By the time I opened the gate and entered the monastery courtyard, the sun had disappeared; inky layers of clouds, however, were still striated with gold. Streetlights glowed and lambent windows in the apartments along Memorial Drive looked warm and urbane. The illuminated cross in front of the door to the guest house welcomed me home. Although I’d been gone less than an hour and had walked maybe two miles, it felt like a much longer journey.

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Of Luck and Grace

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The First Thanksgiving, 1621—J.L.G. Ferris/The Foundation Press, Inc./Library of Congress

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The first time I ever heard about “pilgrims” was as a kid learning about some people by that name who sailed to America to have Thanksgiving dinner. Later, I learned it was a little more complicated than that—that these people were actually “Separatists” who had broken from the Church of England and come to this country by way of Holland in search of religious freedom. But they thought of themselves as pilgrims (the first child born in the Plymouth Colony was named “Peregrine,” which means pilgrim), travelers on a journey to find a home where they could worship the God of their understanding. The name stuck.

My sister tells me that she, my brother, and I are the descendants of John and Priscilla Alden and George and Mary Soule, couples who came over on the Mayflower, which may account for why I think of myself as a pilgrim and why Thanksgiving is my favorite holiday of the year. It’s a day to be with family and to give thanks.

This year, however, besides counting blessings, I’ve also been thinking a lot about luck.

Last spring, when I happened to mention to my family doctor during a routine follow-up to an earlier procedure that I was getting more and more out of breath, he told me to get a stress test and get it soon. Which I did and which led to an arterial catheterization which led to by-pass surgery. Now, I feel great. I have more energy than I’ve had in years.

I want to thank God for my good fortune, feel that I’ve been blessed. Except: as anyone who’s read this blog knows, the pivotal point in my life was the death of my eighteen-year-old daughter in 1988. Laurie didn’t smoke, didn’t drink, didn’t even eat meat. Still, she was the victim of Primitive Neuroectodermal Tumor, a rare and virulent cancer that when it strikes, usually attacks much younger children.

So how can I thank God for my life, while letting God off the hook for Laurie’s death?

Since my surgery in July, two men whom I’d known fairly well dropped dead from the same type of blocked left main artery that I had. Both men were active; both seemed healthy; neither was overweight; both died while exercising. Why am I still alive and they’re not?

I’m reminded of the evening of September 11, 2001, when our church held a meeting for all those who wanted to respond to the bombings of the twin towers and of the pentagon. At one point, a woman—let’s call her Agnes—rose and said that her son had been working that day in the South Tower, but that he was safe. “I want to take this opportunity to thank God for protecting my son four times.” Agnes said. “God showed him the way down the stairs. He moved him out of the way of fallen debris twice. He provided my boy with a private boat to offer him a ride across the river to Hoboken. I’m so grateful!”

I was happy for the woman. I was sure her son was a great guy. But I asked myself then and I ask myself now: why did God save him and let 7,000 other people die?

So although I want to thank God for my being able to be sitting here tapping out this blog instead of moldering in an urn under the snow in our family’s cemetery plot, I have to think that I was lucky, just as my daughter was unlucky enough to carry the wrong combination of inherited DNA to make her susceptible to the cancer than killed her.

Does this mean I’m not grateful this Thanksgiving? That I don’t think my Higher Power affects my life? That I’m not blessed?

Absolutely not.

As I think about how “unlucky” I was when Laurie died, and how “lucky” I am now, I find a common thread. In both instances I’ve seen, as I usually don’t, just how precious, how holy life is. I’ve never enjoyed the autumn foliage as much as I have this year. I don’t even mind (much) standing in line at the grocery checkout line.

I’m also aware, even though it’s hard to articulate, of a growing sense that this life is always being renewed, even reborn. That what I, as a Christian, call resurrection didn’t just happen once to one person, but happens to all of us many times. Someone said to me the other day that I looked like a new man. Well, in some ways, I am. I have a new heart.

Getting that new heart was at times painful; still, it was nothing like thirty years ago, when Laurie’s death broke me open. But although that hurt in ways I hope I’ll never have to feel again, her death also opened me to receive love and joy that I’d never experienced before in my closed off, child-of-alcoholic, New England male life. And it’s this experience that I’m guessing we’ve all had sometime in our lives—where from somewhere we get the strength not only to carry on but also to laugh and sing when by rights we ought to give up and die—that I give thanks for.

Which I think is the difference between luck and Grace. Luck depends on circumstances. Grace, on the other hand, is there for everyone all the time.

So I’m looking forward to Thanksgiving. This, despite sorrowful memories of my father, one of my grandmothers, and my mother-in-law all dying during the week of Thanksgiving, and a painful recollection of a Thanksgiving at the Ronald McDonald House after which Laurie’s two stepbrothers saw her for the last time. Or maybe those deaths actually help make the celebration more joyous. That when Mary Lee’s children and their families and her sister and sometimes her family come, we are surrounded by what St. Paul calls “Clouds of Witness.”

That these loved ones died, that my daughter-in-law is about to undergo surgery for cancer, and that one of my grandchildren is emotionally scarred from having been abused by her pre-school teacher is probably a matter of bad luck. That for the most part our families have the health and the means to come to our house for Thanksgiving and that Mary Lee and I feel well enough and are financially secure enough to host them is probably a matter of good luck. But that we are able to celebrate, to laugh, to cry, to love together is, I believe, a matter of Grace.

When I was finishing this blog, Mary Lee sent me a daily reading for November 22, 2019 (the anniversary of John F. Kennedy’s assassination, appropriately enough) from a website called gratefulness.org.

Grief and gratitude are kindred souls, each pointing to the beauty of what is transient and given to us by grace.—Patricia Campbell Carlson

Yup. Happy Thanksgiving, y’all.

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Another Thanksgiving, a few years later…

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Of Smells

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“Nothing revives the past so completely as a smell that was once associated with it.”

—Vladimir Nabokov

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One of the joys of being 10 weeks past heart surgery is that I can resume daily walks, especially in the woods not far from where I live. And this is a great time of year for it. The leaves are beginning to turn, the air is drier, and the blackflies are gone. But I’m interested that the first thing I noticed when I entered woods after over two months were the smells: the musky, fecund tang of fallen leaves and pine needles, yellowing bracken, and decayed trees. Not only did the smells welcome me back into the present, they took me back to walks through Scotland and England, California, Massachusetts, Vermont, and even further back to the Ponderosa forests of Idaho during my college years and the piney woods behind my house when I was growing up.

Our sense of smell, I’m told, is linked to the part of our brains that processes emotions and memories. Probably every college English major (even if, like me, they’ve never read it) knows that Marcel Proust’s Remembrances of Things Past begins when the narrator tastes a cookie called a madeleine dipped in tea, which triggers seven volumes of memories.

Fear not, gentle reader, I’m not about to attempt anything of that magnitude, but I do feel compelled to ponder a few memories—some pleasant, some not so pleasant—I tripped over the other day as I sauntered through the woods.

I don’t think any smell evokes happier memories than the smell of baking bread. (I’m told real estate agents tell people who want to sell their houses to fill them with the smells of baked bread prior to showing them to prospective buyers.) Every Saturday morning when I was growing up, my mother would bake bread for the week, filling the house with the aroma of love and security. Having spent the last couple of years working with a sponsor in a twelve-step program, I find it healing to remember that in spite of the emotional scars I carry from being raised in an alcoholic family, I was always loved and cared for.

It’s probably nostalgia, but remembrances of my growing up are filled largely with happy smells: the smell of hay and cows and horses in my great-grandfather’s barn, the smell of fried onions and potatoes in my Nanny and Grampy Lufkin’s house, the smell of perfume and cigarettes in Nanny Cleaves’s apartment, the smell of  Aqua Velva, my first aftershave lotion, the White Shoulders perfume my first girlfriend Susan wore, even the smell of wet towels, dirty socks and jock-straps in the locker-room underneath the gymnasium where I spent so much time playing basketball. (Okay, that memory’s definitely nostalgia.)

Conversely, no smell brings back more pain than the smells of shit and disinfectant in nursing homes and hospitals (where between visiting others and my own stay I’m spending more and more time these days), which invariably take me back to the two months when my daughter lay in the hospital dying of cancer—a time of fear, loneliness, and guilt—literally a shitty time.

Memories of my unhappy college years come enveloped with the acrid smell of the Old Town Paper Company blown by a stiff wind down the Stillwater River in 10° temperatures, as I pulled my collar up and stumbled my way across campus to classes I never figured out how to study for, filled with students I felt no connection with, and who, I was convinced, disdained me. And the last years of my first marriage seem in my mind’s nostrils as rank as the dregs of the pipe tobacco I used to smoke during those years.

These days, I love the smell of Mary Lee beside me in the morning, of my hot chocolate in the afternoon, of popcorn in the evening. Of seaweed and mudflats along the Maine Coast. Of dirt in the spring. Of going into the school building to pick up my grandchildren and the smells of chalk and disinfectant and young bodies taking me back to my years as a public-school teacher. And speaking of grandchildren, is there anything more uplifting than the fresh, slightly sweet smell of a newborn child?

On the other hand, I hate the heavy perfumey smell when I enter the Maine Mall, damp cellars (probably because they remind me of the cellar I lived over for twenty-two years), car exhaust on a hot day, and now, the smell of the antibiotic Mupirocin, with which I had to swab my nose prior to and after this summer’s heart surgery.

Recalling smells revives memories of my various pilgrimages and retreats even more than photographs. The exotic and sometimes stomach-churning smells of the Old City of Jerusalem—schwarma, spices, and pita bread mingled with the dust of centuries of pilgrims.

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The aroma of apple tea in Turkey. The salt-laden breezes on Iona. The tangy musk smell of the cow pastures through which Mary Lee and I hiked St. Cuthbert’s Way. The dry smoky smell of Tanzania. One of my first memories of the Episcopal monastery in Massachusetts with which I’m associated is the smell of incense wafting up from the altar into the stony steeple.

At this time of year, the woods are full of smells, full of ambivalent emotions. Fall in Maine is when the trees let go of their leaves, which brings for me not only nostalgia, but also a kind of grief. I’m well into the autumn of my life, which, along with the recent surgery, has me thinking about my mortality. So many of the smells in the woods I’ve started walking again arise from dead and dying vegetation. And yet, autumn is also the season I always feel most alive, and never more so than this year, as I find my strength (not to mention gratitude) returning. Yes, the leaves and needles and branches under my feet are dying, but at the same time the decay upon which I walk and which I smell teems with the seeds of regeneration—not only the forest’s, but also, I like to think, mine as well.

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Ebb and Flow

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Minas Basin, Nova Scotia

 

 

 

 

 

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Expose a child to a particular environment at his susceptible time and he will perceive in the shapes of that environment until he dies. —Wallace Stegner

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I think one of the reasons I like to travel is because I’ve lived almost my entire life in one small part of the country: the Maine coast. Like the seamen who used to live here, I want to see the world but then return home—a kind of going out and coming back mirrored in the rising and falling of the tides I’ve grown up with. The ebb and flow of the ocean has embedded itself in my imagination, shaping the way I understand my life.

For example, when I was growing up in Yarmouth, Maine, I used to play—despite my mother’s warnings and wallops with her hairbrush—in what was called “The Black Ash,” acres of black soot and gravel created some twenty years earlier when the town’s paper company, at the turn of the twentieth century one of the largest in the world, burned to the ground, leaving a cavernous wasteland of toxic ash. In college, when I had dreams of becoming the next Ernest Hemingway, I used the Black Ash in my creative writing class as a symbol of how a once prosperous town had died. Today, however, the land is grass-covered and home to a post office, a number of businesses, doctors’ offices, and a large assisted-living facility. Ebb and flow.

What I don’t think I’ve ever realized before now is that for most of my life, I’ve tended to think of ebb as something negative or low, and flow as positive or high: low as in mud flats, empty, weak, enervated, poor; high as in more spiritual, more beautiful, full, at your peak, prosperous.

The thing is, I have great memories of the Black Ash. There were ash-gray canyons peopled with—depending on what movie I’d last seen at Carlton’s movie theater—Indians, space aliens, or Nazis. I’m sure the reason my mother didn’t want me playing there was because the landscape was punctuated with dangerously deep brick wells, but as far as I was concerned, the wells led down to a land of dinosaurs and curvaceous women in leopard-skin bikinis. In the 1950s, when I played in the Black Ash, the town was small and the people friendly. It was a great place to grow up.

When I moved back to Yarmouth as an adult, I took my two step-sons to the Black Ash a year or so before the town began to clean it up and got a chance to relive my childhood.

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But, to be honest, one of the reasons I’ve since moved away again is because I never felt I belonged in the designer coffee shops, chiropractors’ and psychiatrists’ offices located where the Black Ash used to be.

Is high tide better than low tide? If you’re a swimmer, perhaps, but not for if you dig clams for a living. And while I may feel that the current political situation shows this country to be at its lowest ebb, I have conservative friends who feel we are at our highest point in history.

Ebb and flow, then, are relative, not only to each person, but, I find, to all of life. Albert Einstein’s Theory of Relativity and Max Planck’s work in quantum physics has shown how everything is dependent upon everything else. You can’t have an “in” without an “out,” you can’t have an “up” without a “down,” and you can’t have an “ebb” without a “flow.” Everything is relative; everything is connected.  Something the Buddhists have been telling us all along.

My daughter’s death was certainly the lowest point in my life, a time when I felt all my hope, contentment, and well-being had ebbed away. And yet, it is only in the years following her death, that I have felt joy, felt overflowing with happiness. Before Laurie’s death, my emotional life was limited by my New England upbringing compounded by being raised in an alcoholic family. Laurie’s death broke me open. Only by going to the depths was I able to realize the heights, feel the joy of music, grandchildren, and, most important, the physical, emotional, and spiritual love I share with my wife.

A couple of years ago, Mary Lee and I drove through Nova Scotia and spent several hours walking Minas Basin, the site of the world’s highest tidal ranges, where twice a day, the Bay of Fundy ebbs and flows through the Minas Channel between Cape Split and Cape Sharp, completely emptying and filling the Basin. At high tide, the ocean seems vast, while at low tide we walked through a landscape of red sandstone and volcanic rocks, cliffs, and sea stacks. Now you can see ocean vistas like Minas Basin at high tide up and down the Northeastern coast, and you can see sandstone and volcanic rock all over this planet. It’s the relationship between the two landscapes —the tidal range of what can be as much as 50 feet—that makes them both unique and one and the same. Much the same way Laurie’s death has emptied me with grief and let joy into my life.

As I travel further along this pilgrimage through life, I’m more aware of how its ebbs and flows run like water-colors, painting a single picture, one I can only see by looking back, but which gives me hope for what lies ahead.

And I find myself more and more intrigued by the question: Who is the artist painting this picture?

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Watercolor by Laurie Wile

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For more on Nova Scotia, you might be interested in my blogs: https://geriatricpilgrim.com/2017/10/16/here-comes-the-judge/ https://geriatricpilgrim.com/2017/10/02/rooting-around/)

 

 

 

The Stay at Home Pilgrimage

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Recently, a former (a word I prefer these days to “old”) high school classmate sent me a podcast of Krista Tippett’s Becoming Wise, in which Tippett talks with Paulo Coelho, author of such popular books as The Alchemist, and The Pilgrimage. In talking about his own “pilgrimage of who am I?” Coelho said that since pilgrimage involves leaving our homes and discovering something new—meeting new people, paying attention to the elements, being open to life—we are on a pilgrimage from the moment we are born to the moment we die.

Of course, I loved hearing this since for over three years the idea of this blog has been to talk about the similarities between the pilgrimages and retreats I’ve been on and the everyday trips I’ve made to basketball gymnasiums, a Ronald McDonald House, 12-step meetings, weekly old-time music jam sessions, high school reunions, and family burial grounds. But Coelho has me wondering if I’m paying enough attention to the pilgrimages I make even when I don’t leave the house.

I have one of these thingies on my smartphone that tells me how many steps I make in a day, and I’m proud as hell when I get over 20,000 steps. But lately, I’ve been focusing on just 12 steps. My daily readings, my phone conversations with my sponsor, are journeys of discovery. Not all of these explorations are pleasant. Just as on a hike I can twist an ankle tripping over an unseen rock, or scrap a knee, or, in the case of a recent hike in Arizona, come back punctured with cactus stickers, I can stumble over a repressed childhood memory, scrape my defenses, puncture my ego. Yet all of these wounds have helped me learn to let go of the perfectionism that has tarred and feathered me with shame and resentment for over seventy years.

As Coelho and other writers on pilgrimage have said, it’s the letting go that makes any journey—interior or exterior—a pilgrimage. And it’s those survival tools I learned growing up at home, such as perfectionism, judgmentalism, codependence, solipsism, and the like, that I’m learning to leave behind.

On my various travels, I’ve met new people, some of whom I’ve written about in these blogs. At home, through my 12-step programs and the writing of this blog, I have also met new folks. And I’ve come to see people I’ve known before in new ways. Yes, I knew Brynna, who sent me the Krista Tippett’s podcast, in high school, but not well. Only in the last few years have I come to see what a delightful person she is. While in Arizona, I took an afternoon away from my retreat to have coffee with Richard, with whom I’d grown up, but had had almost no contact with from grade school to about a year ago. Both he and his wife Alexandra are two of the friendliest and most intriguing people I’ve come to know.

Reading new writers has always been part of any of my pilgrimages or retreats, whether in Arizona, Scotland, or here in Brunswick, Maine. Lately I’ve been reading Martin Laird, whose three books on silence have become the foundation for what I euphemistically call my spiritual life; Beldan Lane, who writes of nature in a way that resonates with and through me; the mystery writer  Jo Nesbo; and David Mitchell, author of Atlas Shrugged, The Bone Clocks, and The Thousand Autumns of Jacob de Zoet. I’m also reading new works by authors I think of as old friends—Patricia Hampl, Pam Houston—and rereading works like The Aeneid and the novels of Wallace Stegner with new eyes.

The grandchildren are now almost seven, four, and three, and are new people every visit. And so, if I pay attention, is my wife.

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Mary Lee, my companion on all my travels, is on her own personal pilgrimage, and at dinner we sit and talk about our new discoveries that day. My 12-step work on codependency has shown me that If she and I are to keep growing, we need to give each other the space to do so. Especially since our retirements (at least from paying jobs), it’s important for me to see my wife through new eyes, both mine and hers.

It was after my eighteen-year-old daughter’s death from cancer that I began to find solace in traveling. Then, as I began to see parallels between my journeys to other lands and my journey through the landscape of grief and grace, these trips became pilgrimages. Laurie has been dead now for over thirty years, and each year, she becomes less of a memory and more of a daily presence in my life, no matter where I am. There’s part of me that feels guilty for saying this, but I struggle to recall what my daughter looked like. Seeing her picture on the table in the hall with all the rest of my family usually shocks me a bit. The other day, when I was talking with a student from forty-five years ago, now a dentist working on a novel in which an eighteen-year-old girl is dying, I realized as I was telling Chris about how the girl’s father might feel, that I can talk of Laurie’s suffering and death with detachment. Usually, in November and December, the anniversary of the final two months of my daughter’s life, I’m both physically and emotionally fragile. Last year, however, these months were, for the most part, joyous occasions for friends and family visits. Laurie’s suffering and death, her compassion and joy, our walks together, our disagreements, our shared laughter and tears, have all become one breath, inhaling and exhaling, keeping me alive, while making me less fearful of my own dying. Laurie is not in some far-off land, waiting for me to join her at some future time, but here, now, as I’m coming to believe are all our loved ones.

So, does looking at my life as a series of daily pilgrimages make any difference in the larger scope of things? Well, it’s probably not going to solve the immigration crisis or eliminate global warming, but it is helpful for my serenity to look back and see my life as full of mystery and paradox: wounds that heal; forty, sixty, seventy-year relationships that have become new; togetherness built on separation; physical absence and spiritual presence. And it’s this looking back that makes me less afraid of the future, both of my own and of the world’s.

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Mud Season

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“Poor March. It is the homeliest month of the year. Most of it is mud, every imaginable form of mud, and what isn’t mud in March is ugly late-season snow falling onto ground in filthy mud heaps that look like dirty laundry.” —Vivian Swift, When Wanderers Cease to Roam: a Traveler’s Journal of Staying.

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Mud is the most poetic thing in the world. —R. H. Blyth.

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I’ve just returned from what is becoming an annual retreat at the Desert House of Prayer, outside of Tucson, Arizona. But if you want to read about the desert, you should read a couple of my earlier blogs— https://geriatricpilgrim.com/2016/03/07/dont-ask-why-just-ask-for-help/ and https://geriatricpilgrim.com/2018/03/19/return-to-the-desert/.  I’m going to write about mud.

Which was the first thing I thought of when I woke up the morning after returning from my retreat and looked at a brown, wet, New England landscape choked with trees that looked like sticks, the houses dirty and sad, muddy cars sloshing through puddles, splashing up brown water. Later, I walked to our development’s compost pile through a morass of muck that coated my shoes and tracked into the house, the gunky footprints welcoming me to what we call mud season. Which here in Maine can last longer than springtime.

Let’s face it, mud can be depressing on any number of levels. Our language is full of negative responses to mud: we are “bogged down” in work, “swamped” by debts, “mired” in triviality. We don’t want to “muddy the waters,” and we accuse politicians of “slinging mud.” The Psalmist writes, “… the Lord drew me…out of the miry bog, and set my feet upon a rock.”

Speaking of bogs, one of our current President’s campaign pledges was to “drain the swamp in Washington.” Whether or not he’s succeeding or sinking us deeper into “the miry bog” in debatable, but generally speaking, our civilization has tried to move out of swamps, draining them of mud, replacing them with concrete. (Not always successfully. I once owned a house built on old swamp land, and for the twelve years I lived there, the swamp kept inviting itself back, flooding the cellar, leaving a rug of mud on the cement floor.)

Mud is a place of ambiguity. It’s indefinite, uncertain, and we are a culture that values a distinct, separate self, even if it means putting up walls to keep things and people from seeping through. My Puritan ancestors hated swamps, I suspect, because, in a spiritual sense, there’s nothing to hold on to. Everything is fluid, murky. Like the swamp my house was built on, nature is always about to leak through the tight barriers of morality and hard work.

And yet, while on retreat, I spent time going back into my early childhood, doing some twelve-step work, and realizing that my earliest memory is of playing in the mud. Most children, in fact, are drawn to mud; making mud pies apparently gratifies our first creative instincts. And it’s actually good for us. According to a neuroscience journal, dirt and mud are natural anti-depressants, because the bacteria found in them trigger the release of serotonin in our brains.

Mud rejuvenates. When Mary Lee and I were in Israel, we went to the Dead Sea and covered ourselves in mud—something about the slight buoyancy of mud together with traces of pumice scouring off our dead skin cells. I just thought we looked cool.

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And also sort of sexy. Which makes sense because life on this planet may have been conceived in the mud. Adam, we read in one version of creation, was made from mud. In many Native American creation stories, our continent began with mud. Several recent scientific theories—and one not so recent by Charles Darwin— suggest that the early building blocks of life may have been created in a mud puddle of volcanic ash and warm water some 3.8 billion years ago.

Every year mud season brings new life: daffodils poke from the ground and buds swell on the trees. So, we need the mud for what grows from it. At the same time, when you realize that mud is made up of decayed vegetation and rocks that have been pounded for millions and millions of years into silt, every mud season is also a kind of death. More of that messy ambiguity again.

My trouble is not so much where mud season is taking me, but what I have to go through to get there. I’ve certainly gone through my own personal mud seasons: depression, divorce, the death of a child, illness, addictions, crises of faith. I expect you have, too. Times when nothing is clear, when you have no firm foundation, when you seem to sink deeper and deeper into the mire. And yet, out of these times, you find new life, find yourself growing in ways you never expected.

When I returned to school to get an MFA, one of my mentors was Barbara Hurd, who wrote a wonderful book called Stirring the Mud. In mud, she writes, “the boundary between physical and spiritual melts and we see that one is always infused with the other.” She points out that all of us are more than ninety percent water—“liquid mosaics of mutable and transient urges, and we give ourselves headaches when we pretend otherwise, when we stiffen ourselves into permanent and separate identities.”

Maybe I’m supposed to get dirty. Maybe I’m not supposed to be clear about the fluidity of self. Last week on retreat, during our daily meditation sessions, I saw how elusive, insubstantial, and fleeting my thoughts are. Looking back over my life, I can count at least ten different “identities” I’ve assumed over my almost seventy-six years. I used to call these identities “false selves.” Now, I’m not so sure but that these selves simply leaked back and forth through my life, and what made them “false” was that I clung to them instead of letting them flow.

I have not only returned from Arizona to mud season, I have also returned to the Christian season of Lent, which, as I think about it, is its own kind of mud season, a time of ambiguity, of waiting for new life, while watching where I put my feet. As Philip Simmons puts it in his book, Learning to Fall, “The path to resurrection lies through the mud.”

I’m hoping that during this Lent and this mud season, I will be granted the grace to let the mud teach me to be ambiguous, paradoxical, non-dualistic, non-hierarchical, and receptive—that I may learn to play in the primordial soup of possibility.

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Learning to Bend

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“Blessed are the hearts that bend; they shall never be broken.”

—Saint Francis de Sales

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I don’t feel 75. Seeing myself in the mirror every day, I’ve learned to ignore the lines and moles and turkey wattle so I can say to my reflection, “You don’t look 75.” But when I see myself in a photograph, bent over, my back as the Psalmist says, “like a warped bow,” I think, “Who the hell is that old fart?”

Still, I’m beginning to wonder if my bent back isn’t trying to teach me something.

Besides the fact that until I lost four inches I always liked being taller than most people, I’ve also always prided myself on not bending—that I strive for goals with single-minded determination (See https://geriatricpilgrim.com/2018/06/26/finish-line/). In high school, I spent a good 360 days a year with a basketball in my hands. While never a star, I did learn to overcome the dysplasia that would later result in bilateral hip replacement and a general lack of coordination enough so that my former 8th-grade basketball coach used me as an example of what hard work can accomplish.

As a high-school English teacher, I worked seven days a week creating lesson plans, correcting essays, organizing my classroom, and going to professional conferences. And when I left teaching to begin writing, I established a strict routine for writing at least five days a week, augmented by summer conferences. I returned to school at the age of 60 to get an MFA, and then continued with more summer conferences. I spent twenty years working on a novel, writing I can’t tell you how many drafts, changing it from a memoir to a novel (available on Amazon or from my website, http://richardwile.com).  Since then, I’ve maintained my writing schedule, publishing this blog without fail every two weeks for the past three years.

But there have been times when persistence and self-discipline haven’t paid off—have actually proved counter-productive. For years after the death of my eighteen-year-old daughter Laurie from cancer, I tried to treat my grief as another athletic opponent to be overcome by the will power that had served me so well in the past. I disdained my tears and shoved my anger down, refusing to bend in what I saw as submission to grief.

But the more I tried to bury my anger, the more it resurfaced as guilt, shame, and resentment. Recently, I learned that one definition of insanity is doing the same thing over and over again and expecting different results. That was me—shutting everyone out as I obsessed with somehow “winning the battle” with grief—and if I didn’t become insane, I certainly became irrational. Not until I surrendered my shame and my guilt and my anger—in other words, my ego— to what I now call the God-of-my-not-Understanding (See “https://geriatricpilgrim.com/2016/03/07/dont-ask-why-just-ask-for-help/), was I able not only to survive Laurie’s death, but to discover joy and love and, most of all, Grace.

The more I think about it, the more I question how well my rigid single-mindedness has actually served me. In going to reunions, talking with old classmates, I can see that those years I spent playing basketball kept my circle of friends small, kept me from knowing some really neat people. I see how the game burned me out, so that I never wanted to play basketball again (and seldom watch the sport anymore). And I see that one of the reasons I was so miserable in college was that I had no idea what to do with myself without the game. (Bridge and pool were poor substitutes.)

One of the major sources of my guilt after Laurie died was thinking of all those weekends I corrected papers and went to school to put up new bulletin boards when I could have been with my child, and I still regret not spending more time with her. Now I’m asking myself whether as Mary Lee and I grow older and our grandchildren grow up, I’ll regret having spent more time focused on the computer keyboard than on them.

I’m also wondering if I’ve been too hung up for too long on the idea that to bend means only to yield or to submit. Bend also means change, growth, bending towards something—such as the way plants bend toward sunlight—or someone—such as how I bend for my grandchildren or toward the alter at church.

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And I’m thinking I need to be more intentive about bending, being less rigid, growing instead of remaining inert.

I’m going to start with this blog. I’ve enjoyed the last three years of publishing it every two weeks, but I’m also feeling pressure to continue even when I’ve nothing to say. And as I’ve been writing today’s blog, more and more things have cropped up—an upcoming pilgrimage to Africa, work on an editing position I hold, trying to put some legal stuff in order—which has made making my self-imposed deadline difficult. I think of how I burned out on the basketball court, and I don’t want that to happen.

So I’m going to take a sabbatical. Prepare for Africa, let the experience teach me what it has to teach without worrying, “Can I get a blog out of this?” and then take some time to process not only the journey to Tanzania, but also my journey toward my eighties. I hope to work on some longer writing projects that have been kicking around in the musty, dusty corners of my mind.

But I’m also planning to resume this blog. I started it just after I’d published my novel, when I wanted to write something more immediate, more spontaneous. And it’s been a great help in getting me to see not only where I’ve been but where I’m going. It’s been part of my twelve-step work, which I’m nowhere near done with.  Through this blog, I’ve rekindled old friendships and made a number of new ones with people from all over the world.

But I feel I need to bend the topography a bit, “bend” both in the sense of yielding and in the sense of turning in a different direction, writing only when I have something to say, not because I have to say something,

Until then, to return to the Psalmist’s words, “peace be within your walls and quietness within your towers.”

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Scars

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For fifty years, I’ve been facilitating writing groups of various kinds. Participants have ranged in age from fourteen to eighty. They’ve been students, white-collar professionals, blue-collar workers, unemployed, and homeless. Over that time, I’ve begged, borrowed, or stolen certain writing prompts that always seem to work, no matter who’s there. For example, when a group meets for the first time, and I want to avoid the standard introductions and at the same time establish an atmosphere of trust, I’ll have us (since I always write, too) write about our scars.

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Almost everyone begins by at least mentioning physical scars. Men, especially, seem proud of them. The other night, I was watching a Netflix series called Longmire, in which Sheriff Longmire has been stabbed and his female deputy Vic is helping him bandage the wound.

“You’ve got a lot of scars,” Vic says. “How many do you have?’

“Oh, I don’t know.”

“Come on. All men know how many scars they have.”

Silence. Then, “Twelve…thirteen now.”

Perhaps it’s a sign of the times that women are becoming less reticent about their physical scars. Last October’s Cosmopolitan magazine ran a series of photographs of women proudly showing their mastectomy scars. Photographer Ami Barwell said in the press release, “These photographs show that, despite what they’ve been through, these women are empowered. They are strong, happy, and sexy.”

Scars are part of growing up, and in many cultures children are intentionally scarred when they reach puberty as part of sacred rituals to celebrate their becoming adults. Richard Rohr, whom I often reference in my blogs, wonders if the popularity of tattoos and body piercings these days isn’t a secular substitute for what young men and women once gained through circumcision, scarification, shaving of heads, and knocking out of teeth.

Our scars tell a story of our lives. My most unusual scar is the one on the inside of my right elbow that looks like a burn. I like to show it to people to see if they can guess what caused it. Most can’t, because the scar tells not only of my past but also of an era long ago and far away. When I was four years old, I was in the cellar with my mother one day while she was doing the weekly laundry in our wringer washing machine. Fascinated by the rotation of the rollers, I stuck my hand up to touch them. The next thing I knew, I was screaming as the wringers went round and round on my arm— the first of what we in my twelve-step program call our “goddamned learning experiences.”

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As I moved into something resembling adulthood, I scarred the back of my head when I fell down some school steps onto a broken bottle. I garnered several knife scars from working in a market garden cutting lettuce, spinach, and beet greens, and a black scar when my friend Jerry and I were sword fighting with pencils in a high school chemistry class. (The lead is still in my hand.) Recent X-rays of my scarred lungs remind me of the years in college I worked fighting forest fires, inhaling wood smoke for hours until I could take a break, get away from the smoke, and light up a cigarette.

As an adult, I have a two-inch scar on my back from a fusion of L-2 and L-3 vertebrae, which kept me out of Viet Nam. I have two hernia scars (I’ll spare you a photograph), and two longer scars from bi-lateral hip replacement that I’ve always thought of as resulting from the time after my daughter died, when, like Jacob, in the Old Testament, I wrestled with angels.

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But if we’re proud of our physical scars, we tend, I think, to hide our emotional ones. I’ve spent seventy years hiding the scars of shame, rejection, and fears of confrontation and failure caused by growing up in an alcoholic family. And the death of my eighteen-year-old daughter Laurie has left a scar that feels more like an amputation, one that, even after thirty years, gets ripped open every time I visit someone in the hospital or read in the newspaper about the death of a young person. (That scar has been ripped open a lot lately.)

For some reason, our physical scars, which almost always are signs that we’ve failed at something, make us proud, while our emotional scars, which often aren’t the result of anything we’ve done, but have had done to us, make us ashamed. Maybe it’s because our physical scars say: “I can take it. I’m not a victim. I’ve survived,” while our emotional scars say, “I should be stronger, more in control.” When Laurie died, I felt weak and powerless. I did not go to her funeral. I refused to run her obituary in the local newspaper. I had recurring dreams about old high school basketball teammates making fun of me for being uncoordinated and slow. In other words, I was ashamed of myself, not because of anything specific that I’d done or not done, but because of who I thought I was: a loser.

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As I reach the seventy-sixth year of my earthly pilgrimage, one of my goals is to become as proud of my emotional scars as I am of my physical ones. This Easter has helped. As a practicing Christian, I believe in resurrection. But this year, I realized that even the risen Christ carried the scars of his death. In fact, in one of the most famous of these stories, his disciple Thomas will not believe that Jesus is risen until, as Thomas says, “I see the mark of the nails in his hand, and put my finger in the mark of nails and my hand in his side…” Only when Thomas is able to do so does he cry, “My Lord and my God!”

It’s Jesus’s scars that show his disciples who he is; I need to realize it’s my scars—physical and emotional—that reveal not only who I am, but also the ways in which I’ve become resurrected.

Or, as Bill, living in the local homeless shelter after losing his construction career because he’d broken his back and become addicted to pain killers, but who, nonetheless, was trying to put his life back together by taking on on-line course in computers, wrote for one of my writing groups,

“Scars are the ledger of life. The reminders of when we lacked experience. Wounds are due to ignorance and inattention, apathy, and sometimes poor coincidence. Some we hide from others, some from ourselves. Some are shared with only a few. Some we display proudly. You would think scars are grievous things. In truth they are wondrous. Scars are badges of life’s ills and trepidations…healed.”

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