Broomstick Season

~

The trees that can have given up their leaves—

the reds and golds you see in magazines,

(though dry and chewed and rotting with black mold)—

standing outlined against the sky: broom sticks

whose branches seem about to sweep the clouds.

~

Hard not to recall those who died this month:

a grandmother, father, mother-in-law,

Thanksgivings when their absence filled our plates.

The Ronald McDonald House Thanksgiving

of turkey, fear, anxiety, and tears,

as my wife and her sons saw my daughter

for what we all knew would be the last time.

~

Well into the November of my life,

I mourn the green and teeming dreams I had,

The gaudy colored leaves of happiness,

chewed by anger and blackened by misdeeds.

Now naked of ambition, strength, shame, guilt,

but rooted in the rocky soil of Grace,

supported by my friends and families,

I raise my bony, brittle arms to sweep

away remorse, and cry in gratitude:

Thank you, thank you, and thank you, for it all.

~ ~

Desert Labyrinth

**

Entering:

Heel…toe…heel…toe

trying to focus on the boots

that walk this path lined with

tan, gray, white, russet

stones snaking its way

over copper-colored gravel.

Still, the mind twists, bends, curves

with the path going around, back, between

the blue of the sky, labored breathing,

the inhaler back in the room, 

past mistakes, future apprehensions,

prickly pear, barrel, saguaro cactus,

fantasies, “if onlys,”

scrunch of footsteps.

Following the narrow road of stones

toward the center of what looks

like a petrified brain

which is right ahead

and then it’s not,

spiraling further away.

Turning a corner

torso teeters, trips,

boot kicks

a rock into the path.

Voices from the past snicker

Clumsy klutz!

Kicking the rock back into place.

Walking on.

*

The Center:

Finally

three red rocks triangle

a flat altar stone

spilling painted stones, shells,

ribbons, bracelets, a plastic flower,

a wooden plaque that says:

“Too much of anything is bad,

 but too much good whiskey is barely enough,”

left perhaps by someone hoping to leave 

both plaque and whiskey behind.

Sitting on a red rock wondering

Where is my center?

What do I need to leave behind?

Brown rumpled hills dotted with saguaro,

prickly arms lifted as if in praise,

reply with silence

punctuated by

the cooing of a distant dove.

*

Returning:

Heel…toe…heel…toe

trying to focus on the ground beneath the maze,

the silences between 

the ripples of wind, a cardinal’s whistle,

yellow palo verdi blossoms, azure sky,

sunlight on sweaty skin,

overhanging mesquit branch that 

grabs a shirtsleeve like a past sin.

Stumbling again

kicking another stone again

booting the rock back into place again,

breathing to Thich Nhat Hanh

(breathing in, I calm my body,

breathing out, I smile.)

circling, looping, spiraling,

remembering the center—

The soul? Love? Divine Spark?

Face before you were born?—

circling, looping, spiraling.

Gazing over russet, white, brown, tan

stones to the exit

except it’s also the entrance—

accept it’s also the entrance—

to life’s labyrinthian journey.

**

The Goat

Feral goat somewhere in the north of England. Probably has nothing to do with my dream (although who knows?), but I thought I’d post it anyway.

~

“We are such stuff as dreams are made of…

—Shakespeare

~

I Dream of a Goat

chewing grass

outside the sunroom

of my house.

Which is strange,

because I live in a development

and the only animals

I usually see are

cats and dogs and birds.

But then,

I not sure I’m in my house:

it’s darker, emptier

—only my chair and a bookcase.

Oh, 

and the glass doors

through which 

I watch

the goat 

are bigger,

 and in a different place.

It’s a large goat,

probably female,

although I don’t know

much about goats—

I think 

that’s an udder

back there—

brown, white chest and legs,

 and two small horns

V-ing down

into white stripes 

until they meet 

in a white mask

over a long nose.

At first, 

I’m curious,

but the goat starts butting its head

against the glass doors.

The damn thing’s trying to get in!

I can feel its

 onyx eyes drilling

into my soul.

I lock the glass doors

but one is loose.

When I try to 

tighten a screw

with my Swiss army knife

another screw loosens.

I go from

one sliding door to another

trying to keep 

the goat out.

But when I turn around,

the goat is in the sunroom,

its hoofs clicking 

like some Flamenco dancer,

chewing,

either finishing the grass

or the leaves of a book,

I don’t know.

I worry about shit

on the floor

(like pebbles, right?),

but so far, nothing.

I don’t even smell anything.

From a closet

that seems somehow familiar

I find a broom.

I wack 

at the goat.

It runs away,

but whether 

back outside

or deeper 

into my dark house

I don’t know.

For some reason,

I don’t care anymore.

Actually,

I’m tempted

to open

the doors and windows

to see who else

might come in.

~~

September Interplay

Through my window, a September slant of sunlight

softened by shadows cast by hemlocks in the hollow

seems a plush carpet inviting me to take off my shoes

and walk barefoot into a golden world.

Summer sun glares, remorselessly highlighting

weeds I failed to pull, dents I’ve put in the car, windows that need washing.

Winter light is weak and pale, helpless against the darkness

always hovering on the horizon, a constant reminder of mortality.

To someone who’s spent his life caroming 

from one extreme to another, a ping-pong ball

sent back and forth by whoever I’m trying to please today,

September says, “Live in the interplay

of light and shadow, 

of cool mornings and warm afternoons, 

of tart cider and sweet corn,

of raucous crows and cooing doves,

of grief and grace.”

Walking the College Campus at 6:30 A.M. on the 80th Anniversary of of the Bombing of Hiroshima

#

Police sirens fade as I pass through the

memorial gate to an empty quad,

where morning sun reflects off the windows

of old brick buildings, deserted now of

the footsteps and voices, the ambitions,

anxieties, astonishment, fatigue,

confusion, gratitude, egotism,

disappointments, hangovers, and regret

usually throbbing throughout the halls.

Even in the quiet of the morning,

a deeper silence seems to emanate

from these buildings, a collective wisdom—

coalesced and alive—which assures me:

when all is said and done, all shall be well.

The Chapel at Bowdoin College: Painting by Tim Banks

#

Thank God for Another Chance

~ ~

Thank God for another chance to fold a fitted sheet,

another chance to butcher a banjo tune,

another chance to win at Wordle.

~

Thank God for another chance to make a perfect cup of hot chocolate,

another chance to discover the perfect hot sauce,

another chance to pick the perfect pen.

~

Thank God for another chance to stroll in springtime through a carpet of pink lady slippers,

another chance to walk in autumn through golden bracken and red maple trees,

another chance to snowshoe in winter across a snow-covered pond.

~

Thank God for another chance to slow dance with my wife in front of the fire on a winter night 

to Patsy Cline singing “Sweet Dreams,”

another chance to admire my granddaughter casting a blood worm

into the Androscoggin River on a summer afternoon,

another chance to decorate our Christmas tree with five generations’ worth of 

ornaments. 

~

Thank God for another chance to shed the ten pounds I’ve never been able to lose,

another chance to read “Lord of the Rings” for the umpteenth time,

another chance to write a poem that just might actually be one.

~

Thank God for another chance to keep my mouth shut when I don’t have anything to say,

another chance to learn how to take a compliment without trying to convince you 

I don’t deserve it,

another chance to stop trying to figure out who I think you think I ought to be.

~

Thank God for another chance to say, “I was wrong,”

another chance to say, “I love you,”

another chance to say, “Thank you.”

~ ~

Geriatric Passion

“My seventies were interesting and fairly serene, but my eighties are passionate.”

                                                                                                            —Florida Scott Maxwell

Yes, but not like some geriatric stud

who’s still able each night to rock and roll;

Instead, imagine some gnarled tree in bud,

A blazing fire reduced to one red coal.

Three barred owls in a tree, a rainbow,

My sleeping wife, a grandchild’s happy voice,

A doo-op tune, dark chocolate, will now

Bring forth ejaculations of clear joy.

But then I have these night sweats full of fear.

Each day brings new regret for my old wrongs.

I rage for reasons that remain unclear

and weep at maudlin films and country songs.

The plot gets more intense the more I age

As life’s last chapter moves towards life’s last page.

´◊

Duende

◊◊

Duende:…[T]he “bitter root” of human existence, what Lorca referred to as “the pain that has no explanation” … and the source of much great art.—Christopher Maurer

After the rain, the trees are weeping,

tears glistening in the setting sun. 

And suddenly

I feel the fierce force flowing through my veins 

along with the red cells and white cells and platelets, 

to and from the heart (the center of grief, I heard somewhere). 

I wail once more my family’s demise:

 my father’s frightened eyes, my mother’s waxy hands,

  my daughter’s last labored breaths.

´◊

I recoil as if for the first time at

old failures, sins, embarrassments, what-ifs

 that float before me like dead fish.

I watch my friends diminish—

cancer, Parkinson’s, heart problems, Alzheimer’s—

I shave an old man’s face.

This week, I’ll pray, write a poem, plant flowers in the family cemetery, meet friends,

take grandchildren for ice cream, work in my garden, make love to my wife, 

tenacity momentarily victorious. 

Still, coursing through my triumphs like a deep and dark river,

demolishing and nourishing as it surges to the sea, 

Duende.

◊◊

Wading

~

The setting sun lays down a carpet on the bay.

A school of clouds across the skyline floats

over humpbacked islands of pointed firs.

Closer to shore, three skiffs face out to sea,

and closer still, silhouetted

against the light, my wife wades, 

legs cut off at the knee by undulating waters,

back straight, arms out to the side for balance

(always important as we get older),

testing each step, her face turned to the sea,

while on this shore of tide pools and broken shells,

I, who find the water too cold,

the stones too sharp for my old feet, 

lean against a barnacle-encrusted rock

watching, wading in gratitude.

~

Querencia

~

…from the Spanish verb “querer,” to want, desire, love; an emotional inclination toward a location; a home ground, a favorite place.—Wikipedia.

~

“A querencia is a place the bull naturally wants to go to in the ring… In this place he feels that he has his back against the wall and in his querencia he is inestimably more dangerous and almost impossible to kill.” Ernest Hemingway, Death in the Afternoon.

~

Or man-cave or refuge or sanctuary or study or simply the room at the end of the hall where I hang out wrapping it around me like a favorite bathrobe or suit of armor depending…

where I 

gaze at pictures of my wife ML looking radiant in her new clerical collar despite her son’s having left to live on the West Coast… my daughter Laurie’s watercolor she painted before her cancer diagnosis of a blue hand reaching up thru brown rocks toward bright flower petals … my brother sister & me skunk as a drunk before I sobered up … ML’s boys, Laurie & me swimming on Mount Desert Island when I thought we could blend our families… grandchildren sitting in my lap, playing by the river, hiking in the woods when we did…a panorama of Banjo Camp North where I named my banjo Joy… Jerry, Marty, & I—6’2” then— the Fish Factory Trio, singing “The Old Dope Pedler” at a high school variety show in 1961… four views of the Desert House of Prayer outside Tucson, Arizona where ML & I danced in the desert under a full moon Easter morning in 2001… a lioness sunning herself on a rock on the Serengeti Plains in 2018…

keep mementos such as a contestant pin from the 1961 L&M State Basketball Championship…three vintage baseball caps of my favorite teams… the skin of a rattlesnake I killed in Idaho in 1962…diaries going back to 1963…autographed books by heroes, mentors, friends and former students … cards from grandchildren… three bowls of rocks from my travels…rocks from those travels too big for bowls… a felt fedora covered in pins from airports around the world… a turkey feather from a walk in the woods… four clam shells from walks on the beach… a letter holder my father made for my mother when they were in high school… a wooden platter I remember him carving in the evenings after he’d come out of the Army & was working as an apprentice carpenter & we didn’t have a TV… my grandmother’s desk… 

lose and find myself in books of non-fiction, fiction, poetry…books about travel, Maine, writing, spirituality… five banjos…one guitar…one harmonica…one mouth-harp… one Vietnamese flute… ten songbooks… two file cabinets of old writing… two coffee cups of pens…my current diary… a yellow legal pad of paper… a computer … 

look out the window at a world of uncertainty for my country & my own life & those I love holding my favorite pen like Excalibur my diary like a shield enthroned in my ergonomic office chair feeling inestimably more dangerous & almost impossible to kill…

~ ~